Sabtu, 29 Oktober 2011

Ebook Planning as Persuasive Storytelling: The Rhetorical Construction of Chicago's Electric Future (New Practices of Inquiry)

Ebook Planning as Persuasive Storytelling: The Rhetorical Construction of Chicago's Electric Future (New Practices of Inquiry)

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Planning as Persuasive Storytelling: The Rhetorical Construction of Chicago's Electric Future (New Practices of Inquiry)

Planning as Persuasive Storytelling: The Rhetorical Construction of Chicago's Electric Future (New Practices of Inquiry)


Planning as Persuasive Storytelling: The Rhetorical Construction of Chicago's Electric Future (New Practices of Inquiry)


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Planning as Persuasive Storytelling: The Rhetorical Construction of Chicago's Electric Future (New Practices of Inquiry)

Product details

Series: New Practices of Inquiry

Paperback: 338 pages

Publisher: University of Chicago Press; 1 edition (July 1, 1996)

Language: English

ISBN-10: 9780226799643

ISBN-13: 978-0226799643

ASIN: 0226799646

Product Dimensions:

6 x 0.8 x 9 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

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Amazon Best Sellers Rank:

#3,196,559 in Books (See Top 100 in Books)

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Senin, 10 Oktober 2011

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Product details

File Size: 1528 KB

Print Length: 370 pages

Publisher: Pantheon; 1 edition (March 13, 2012)

Publication Date: March 13, 2012

Sold by: Random House LLC

Language: English

ASIN: B005IEGKNE

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As a Trauma RN, I was already aware of the behind the scenes issues and protocols associated with organ donation. This book gave me a better look at system wide issues including conflict of interest problems, poor methodology, and overall bad science that drives the billion dollar push for donation. From experience, I know that families can be bullied, harassed, and shamed into making choices they may not want or agree with when tragedy strikes. I am very aware from practice that the line between "dead" and "alive" can be crossed and re-crossed in many ways during the care and treatment of the injured patient. This book is an eye opener for the uninitiated and confirmation of doubts and suspicions for those who have traversed the mine field of organ donation. Highly recommended read no matter where ones sympathies are.

I was tempted to rate this book with five stars, as others have done, merely to counteract the work of reviewers who haven't read the text. But I cannot in good conscience do so. Instead I have rounded up from 3.5 to 4 stars. There is much to recommend this book, but I will not offer unadulterated praise.When deciding whether or not to buy or read this book, look at the dates of the reviews (noting that many of the one-star reviews were posted the day the book was released- I read well and fairly quickly, but a careful reading of the text took time) . Many such reviews admit to being based on a Wall Street Journal article rather than this book. I think it reprehensible to review a book one has not read. I find the impassioned hyperbole warning readers away from this book more dangerous than the hyperbole occasionally employed by the author, though the latter bothered me occasionally, as well. Disallowing these things to be said will not make them untrue or irrelevant. Do not think either that having received a donated liver makes a reviewer qualified to discuss the merits of this book without reading it. But I digress; this was not meant to be a review of reviews (but it clearly is that, too). My point is that if the issues discussed in the book interest you at all and you do not think that discussing something unpleasant should not be allowed, I recommend this book.As I suggested, Mr. Teresi does tend toward hyperbole. His refusal to dispense with the term "harvesting" in favor of the more palatable terms such as 'organ procurement' smacks of a desire render the entire process unpalatable. He implies several times that a DNR order is sometimes tantamount to "killing ... loved ones" (eg, pg 93). This narrow-mindedness was evident occasionally in the writing, though Mr. Teresi deserves much credit for looking at the issue of death and organ procurement/transplantation from many different angles. In addition to being well researched, the work is well cited, so the research is documented and fairly easy to replicate.I think that as a responsible thinker who sees the issues Mr. Teresi raises as alarming and worth pursuing, I must read as many of his sources as possible. I realize that not everyone has the time or desire to do this, but one should not declare well cited material to be "lies and fabrications" as some reviewers have, without investigation. I must say that I am distressed by reviewer S.Fitzpatric's accusation that Mr. Teresi has altered his email transcript to suit his purposes. Such allegations should be carefully considered and investigated.This book has some problems, such as Mr. Teresi's repeated insistance that he has no cause to sway reader's opinions but only to report facts. This, he mixes in with talk of killing grandma that will remind many bioethicists of "the daughter from California". But the information itself, the important piece of this puzzle, seems solid and well-researched, and more importantly, is very timely in the discussion of organ transplantation from 'dead' donors. This book's problems are worth moving beyond in the interest of learning from a great body of research on the historical and contemporary approaches to the problem of determining death and the implications thereof for organ transplantation from dead donors. Although the conversation will necessarily be uncomfortable for advocates of organ donation (as I have always been), it is essential and could actually advance the cause to address the issues Mr. Teresi raises, if done honestly, transparently, and thoroughly.

Modern medicine has made it no easier to say with certainty exactly when our conscious awareness has truly left the body. Are you dead when you are no longer you? or are you really and truly dead only when your body starts to putrefy? Are there fates worse than death? What if you are aware, but can not move or respond so you are treated as though you are a vegetable? What about your organs - shouldn't they be harvested when they would be of more use to someone else (obviously before your body starts to rot). What if that "brain dead" individual is aware of the pain when organs are "harvested" should these patients be anesthetized before opening them up (apparently the organs are healthier if no anesthesia is used to "harvest" them).Dick Teresi raises more questions than he answers, but they are questions that need to be raised and discussed.

I have noticed that among the gentry not every Richard can be called Dick. This is an unusual case in which Dick is the writer and Richard a mere resident of Amherst, MA. I was glad to see the book appear because I had wondered what new forms of hanky panky had emerged in the world of organ donation. The first clue that it was business as usual was when an elderly Chinese man handed me a pamphlet on Fisherman's Wharf in San Francisco describing a thriving organ-harvesting industry in the Peoples' Republic of China. But evidence is easy to refute. Some familiarity with human nature would lead one to posit that the demand for organs and the need to harvest them while the patient was still alive if he/she could be deemed brain dead might lead to what the author calls philosophical rather than medical determinations on just who is brain dead and who is not. The spectrum of criteria for admission is likely broad. Oh she can no longer wear a bikini and walk along the beach. Oh he has forgotten how to integrate in the complex plane. Finally I really liked the number of one and two stars the author drew from reviewers. That means he has something unusual and original to say.

This book opened my mind on a few issues regarding brain death and organ donation. And to me, at this point, there are still no clear cut answers. As a nurse and lawyer at a teaching hospitals, I know that organ transplantation is a big business, but had no idea of the extent. I did revise my Healthcare POA documents to reflect that I want brain flow studies prior to being declared brain dead and the organs geing procured. This book has raised so many issues in my mind. Now I need to do more research and find the answers that satisfy me. This book is an excellent primer for anyone with a less than stellar knowledge of the issues. Easy, interesting read with a decent history of the concept of brain death.

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Minggu, 09 Oktober 2011

Free Download Point of View: Me, New York City, and the Punk Scene, by Chris Stein

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Point of View: Me, New York City, and the Punk Scene, by Chris Stein

Point of View: Me, New York City, and the Punk Scene, by Chris Stein


Point of View: Me, New York City, and the Punk Scene, by Chris Stein


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Point of View: Me, New York City, and the Punk Scene, by Chris Stein

Review

"...[It] is a fascinating document, not only of the punk scene of the early and middle 1970s but more generally of New York City in its years of chaos, decay and creative energy." —Luc Sante, New York Times"Although most well-known for his iconic images of Debbie Harry, which were documented in his book Negative: Me, Blondie, and the Advent of Punk, Chris Stein’ was shooting plenty of other subjects in 1970s New York City. His new book Point of View collects these often overlooked personal frames into a single place." —Popular Photography"A far cry from the New York that Sinatra extolled, the city as depicted in the photographer and Blondie co-founder Chris Stein’s new book of images from the 1970s and 80s, Point of View: Me, New York City, and the Punk Scene, is certainly rough around the edges." —Art Newspaper "Who better to document the gritty punk heyday of ‘70s NYC than one of its most influential luminaries? Blondie founder/guitarist Chris Stein’s new collection of vintage photographs feature iconic scenesters from William Burroughs to Debbie Harry, Andy Warhol to Iggy Pop, all set against “New York City streetscapes in all their most longed-for romance and dereliction.”—Insdie Hook

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About the Author

Chris Stein is the co-founder, songwriter, and guitarist of the iconic punk band Blondie. His photographic work has been featured in galleries and press around the world, and published in the successful book Negative: Me, Blondie, and the Advent of Punk, published by Rizzoli. Beyond his era-defining music with Blondie, he has collaborated with a host of artists over the years, from Shepard Fairey to Glenn O'Brien and Andy Warhol.

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Product details

Hardcover: 208 pages

Publisher: Rizzoli (October 23, 2018)

Language: English

ISBN-10: 0847862186

ISBN-13: 978-0847862184

Product Dimensions:

9 x 1 x 11.9 inches

Shipping Weight: 3.3 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#167,331 in Books (See Top 100 in Books)

A beautiful book featuring pictures of a gritty NYC in all its glory. The photography of city streets, people, and celebrities are showcased through Chris Stein’s artistic eye. The book features never before seen shots of Debbie Harry that are stunning. Every turn of the page was exciting and stimulating in its depiction of life in the City.

This is an excellent book that takes a look at everyday life of regular people living in New York City. There's only a handful of photos featuring Debbie Harry and other punk rock icons. The bulk of the book are beautiful black and white photos of New York City during '70s.

I was never a punk rocker. Thier music is creative and Debbie had the style, moves, and vocal to propel this professional group to the top charts. Yes we think of Debbie when we hear blonde. But hey thats the name you gave your group !! It’s like Fleetwood Mac and Heart. Same thing. The individual musicians make the whole. I would be very gratified as your book portrays. It’s to bad I never got to meet you all. I was head over heals in my twenties for Debbie. You have made your mark. Great books. Wish you didn’t have to struggle so much. Cheers.

Greatest pictures love this book

I love this book. Stein is a gifted artist on multiple platforms and this book is exactly what I was anticipating - excellent. His writing is very personal and brief regarding the photos. Leaves you wishing for more.

A fascinating glimpse of the formative years of one of the co-founders of Blondie.

Is it as good as the previous collection? No. But, what is?

This book is an excellent collection of photographs that capture the true essence of New York City in its former glory/decay.

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